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Music Interviews

Exclusive Interview: John Petrucci from Dream Theater

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Dude, I can totally tell you’re in Canada right now. When the chick at the front desk of your hotel answered the phone I couldn’t understand a word she said!

Yeah, it’s the whole French thing.

You’ve got a lot happening right now…You’re on tour, right?

Yeah, actually today is our first show with Yes. We’ll see how it goes.

How long will this tour last?

This one’s a while. I think it’s around five weeks or so, so there are a lot of dates.

What does Dream Theater have in store for this tour?

We’re opening for Yes so it’s a much shorter show than what we’re used to playing. We’re used to playing three and a half hours and I believe now we’re playing an hour. Basically, we’re playing – I’m sure there will be Dream Theater fans – but we’re trying to play to a new audience. As hard as it is with the amount of albums and the length of our songs, we’re trying to give a sampling of what we’re all about.

How hard is it to pick an hour-long set list? I know you’re used to mixing up your set lists from night to night…

Yeah, we can’t really do that this time. It’s tough enough to come up with one set list that samples what we’re about. Plus, a lot of our songs are real heavy and it’s not necessarily appropriate for the setting.

So you guys are going out with a structured set list this time…

Yeah, exactly.

I’m just curious – When you’re on a headling tour and you mix up your set list from night to night, how far in advance do you pick the set lists?

Pretty far in advance. Everybody would need to know, not just the band members – like the lighting director. We try to come up with a few in advance so everybody could prepare. It’s not like we get it that day, you know?

What’s a typical rehearsal schedule like before Dream Theater goes on tour?

Strangely enough, we don’t really like rehearsing. We like playing and everything, but it’s kind of tedious. Our golden rule is for everybody to do most of their preparation at home. Like anything else, if you know the music you can play it.

It must be really cool to be in the situation where you can say, “Work on this at home,” and just get together and it works out.

That’s the only way…You can’t be sitting there trying to figure parts out and wasting people’s time. Every so often there’s a technical section that we need to work on a little bit. We work on the segues and cues in between songs. As far as the music, at this point it’s everybody’s responsibility to be prepared so you can play the songs. A lot of the time spent before a tour is more technical, like gear, setup, and programming.

What will Dream Theater have lined up for 2004?

This tour will be the end of the tour cycle for Train of Thought. Then we’re gonna start getting into a new album. It’s actually our last contractual album with Elektra so it’s kind of exciting for us.

Dream Theater’s music sometimes sounds very complex and complicated. Is it easy for you guys to write new material or do you dwell on it for a while?

It actually doesn’t. We write fairly quickly, I think. Sometimes when we’re writing, if something is highly technical we don’t have to rehearse it until we have it nailed before we record it. It’s usually a general idea and when we go in to record we refine it. A lot of times when we play through the songs for the first time, if you were to listen to those demos they’re just sloppy as hell. It’s just us plowing through the ideas.

One thing I definitely want to talk about is your CD with Jordan, An Evening With… It’s still on a lot of internet charts as one of the most requested titles. Did you think it would be received as well as it has?

You know, really I had no expectations. This is an album that I had originally released on my own label and that one is a re-issue through a licensing deal with Favored Nations. I really didn’t give it too much thought. In fact, even doing press to me seems a little strange. Once again, this is something that originally came out in 2000 on my site. The night of the show had a special magic. I like the pieces. It’s all highly improvised. If there are people that are digging that, great. I think it really says something for improvised progressive jazz music – or whatever you want to call it. I’m glad people are out there enjoying it. It’s just one-off, highly improvised, personal, music that in a lot of instances wouldn’t even be shared. They’re almost like little jams you would do in your room with your friends, so it’s kinda cool.

What led to Steve Vai’s Favored Nations picking the record up?

He got wind of the album when I did the G3 tour with him and Joe. Someone turned him onto it and he really enjoyed it. He thought it would be a great release to do on his label. We talked and made it happen.

It’s just human nature that when you get a taste of something you like that you want more. Is there any chance of you and Jordan doing another project like this?

There’s always a chance. Jordan and I had a lot of fun doing it. It’s certainly something we could do but we’re always so busy. Things like this kinda pop up every so often. I would do it again. It didn’t take a lot of preparation so it’s fairly easy to do.

On top of all of that stuff I heard you just finished a new solo album.

That’s correct. In fact I finished it a few weeks ago and I’m working on getting it out. That project took a while and it DID take a lot of thought and a lot of planning and a lot of time. I’m real happy with the way it turned out and I can’t wait to get it out there.

What’s it like musically?

It’s all instrumental and a trio – guitar, bass, and drums. You’re gonna get a ton of guitar. There’s a lot of solos and melodies. It runs the gamut of my style and things I like to do. There’s jazz, blues, real progressive stuff, hard ‘n heavy, more straight ahead rock, some Morse stuff, some Satriani-ish type stuff, there’s a techno song. It’s about things I like to do wrapped up in a very, very guitar dominating album. It was mixed by Kevin Shirley and sounds really great. I’m very happy with it.

I miss the days of Vinnie Moore, Vai, Satriani, MacAlpine, and all the guitar heroes. They used to be all over the place. I definitely appreciate new guitar oriented records. I’d almost prefer a Vai or Satriani type CD over most bands that are out today.

Definitely. Yeah, I hope you’ll like this one. To me, whether I’m doing a Dream Theater album, the An Evening With… album, or a solo album, the songs have to be strong. It has to thrill me, move me, and interest me before I can put it out. Even on the solo album I think the songs are really strong. You’re not going to hear an album full of just noodling over backing tracks. There’s some real writing in there. That’s something I concentrate on and pride myself in with Dream Theater and try to carry it through with everything else.

Dream Theater has a very loyal, always growing, fanbase. Does it ever enter you mind how hardcore these people are over your music?

First of all, I think it’s what our career is really built on. I remember, maybe not to the extreme of some people, I remember as a kid waiting in line for tickets to go on sale or getting a record the first day it came out. I’d read all the little tidbits about a band and analyze the lyrics. I remember being that way so I appreciate why we have the fans that we do. We think about that whenever we play and whenever we do a record. We try to put ourselves in the position where we realize that people are coming to see us and they’re psyched, been looking forward to the show for who knows how many weeks, they took off from work or whatever. We need to give them what they deserve to see and hear. We definitely respect that.

That’s nice to hear because some bands get an ego after so long and they say they’re no longer writing music for the fans. They want to make themselves happy first. They’re forgetting who put them in that position to begin with – their fans!

When we started we had no fans. We were writing music that we like to write and there is still that going on. You really can’t try to please everybody. There is a very definite sense of identity when we write music. It’s not like we sit back and think, “What’s this guy or that guy going to think?” At the same time, once it’s done and once we put ourselves into it – it’s 100%.

Thanks for taking time out of your day for this. What would you like to say to your fans and all the readers?

I hope to see people on this Yes tour. I think it will be interesting because I’ve always seen our band as the heavy metal Yes. We have the same orchestration. When we were younger we were really into the long songs and the passages and drama. We like the artsy-fartsyness of those Yes albums. Even down to the album covers. You can really see back to back a different incarnation of a classic. We’re really looking forward to it and it will be interesting to our fans who have never heard of Yes. They’ll get a taste of what influenced us and vice versa. You may get some older guy who we’ll come across as Marilyn Manson! I don’t know – we’ll see!

Music Interviews

Exclusive Interview: Tom Keifer

We caught up with Keifer to talk about songwriting, the Deluxe Edition of ‘The Way Life Goes,’ and the coolness that is Rod Stewart.

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Cinderella frontman Tom Keifer released his first solo album The Way Life Goes in 2013. From being told that he would never sing again as a result of a partially paralyzed left vocal cord, to the emotional and personal battles that followed, his solo debut is a story of perseverance – a testament to the power of passion and will, combined with a true love of music.

Now available as a special Deluxe Edition, The Way Life Goes features two new studio tracks: the long-awaited studio recording of the Beatles’ “With A Little Help From My Friends” and the spectacular duet recording of “Nobody’s Fool” with Lzzy Hale of Halestorm. Also featured is a bonus DVD with The Way Life’s Goin,’ a 30-minute documentary on the making of the bonus tracks as well as videos, live footage and more – all packaged in a six-panel digipak featuring all new artwork and a 20-page book with original illustrations for each track.

Rock Confidential caught up with Keifer to talk about songwriting, putting together all the special features for the Deluxe Edition of The Way Life Goes, and the coolness that is Rod Stewart.

You moved from South Jersey to Nashville several years ago. What initially inspired your move to Tennessee?

I moved here in the nineties, in 1997. The whole music scene was changing at that time for bands from the eighties. Cinderella was drifting apart. We lost our deal with Mercury. I started writing with people down here in Nashville because I was looking for a shot in the arm and some inspiration. There was a lot of cool writers down here I was starting to write with and I loved the creative community here. I literally just picked up and moved overnight. I’ve been here ever since and haven’t looked back.

The people that are really involved in the music community are so passionate. There’s a lot of excitement, creativity, and positivity in Nashville. I’ve never seen another town like it.

From the writers, the musicians to the studios, engineers, and producers. There’s such a high concentration of talent and creativity in such a small city. It’s very inspiring. I remember when I first moved here and was hanging out here. Every day someone was playing a demo of a song they wrote a couple of hours before. That was amazing. That’s the shot in the arm I wanted. I lived in Jersey and the Philadelphia area. That wasn’t the Mecca in terms of music the way New York or LA or Nashville is. I was being exposed constantly to amazing songwriters – my wife Savannah being one of them. She was here several years before I moved and we hooked up here and eventually got married. She took me around town, showed me the ropes and introduced me to a lot of great musicians and writers. It’s a really cool place.

Did the change in geography influence your songwriting?

It inspired me to be better at something I always did. It didn’t change my approach to songwriting. I always start with a lyrical inspiration and sometimes you can hear a melody with that. It’s never about starting with riffs or chords for me. It’s What are we writing about? What’s the title? What’s the emotion? You wait for those thoughts to come to you and that’s how all the writers here write. Savannah told me stories about being out in bars the night before she’s have a co-write with somebody and hanging out with writers who said, “I don’t have that thought to take in to my co-write tomorrow. I’ll buy you a beer if you give me one!” That’s what it’s always been about for me – waiting for that emotion to write about or that human thing that we all feel. Finding that one phrase that connects with people. Usually when you get that, the song writes itself. It was a very naturally thing for me to fall into the songwriting process here and write with other people. They inspire you to be better. I think a lot of times people think since most of the stuff I’ve written is on the hard rock side that the songwriting starts out with a heavy guitar riff. I’ve never written from that place. It’s starts with that feeling or emotion and depending on the emotion I then might find a cool riff that expresses it. Even the riff or the music is inspired by the emotion of the lyric.

That’s a big part of the difference between a songwriter and an entertainer. You can do both, but not every entertainer can be a songwriter.

True. Songwriting is something you do because you have to. You can’t not do it. Once that thing starts floating in your head you can’t escape it. It’s in your head over and over until you finish it. I’ve got to get this out! It’s not something I try to do. Every time I try to do it, it comes out sounding contrived. I have periods – years – where I won’t write a damn song. I don’t worry about that. That’s the period where you’re filling the well and living life and experiencing things and letting things build up. I’ll have seasons of creativity where it all starts coming out. Those are the ones that are the best and that ring the truest and connect with people. Every time I try to force it, it usually sounds like it. I usually don’t end up recording those.

Let’s talk about the Deluxe Edition of your solo album, The Way Life Goes.

To go from the original release to the Deluxe, there’s a little bit of a story there. The original release came out and was received really well by the press and the fans. “Solid Ground” did really great at rock radio and it had taken off. After spending nine or 10 years creating it, it was great. We started touring and then ran into a legal issue somewhere along the way that I can’t really discuss. Basically, there was a bit of a corporate shakeup with the company that owned the label. The record got caught in the middle of these business dealings and was pulled from the shelves and online. We almost lost the master. It hasn’t been available for two years. Just prior to that we were talking about doing a Deluxe Edition and then we ran into all that stuff. We had to hire some lawyers and do a bit of negotiating to get the masters back. We finally got that all settled last year and we came back to the idea of the Deluxe release. We wanted to make it really special – not just for the Deluxe Release – but because it was going to be available again online. All I’ve heard for two years on my social media is “Where did the record go?” or “I can’t find the record.” We’d been touring and playing the songs live. People had been exposed to it and wanted to buy it and they couldn’t find it. I’ve even heard storied where people said it disappeared out of their iTunes account after they purchased it. A lot of times expanded releases are just a couple of leftover tracks from the original sessions. We decided not to take that route and we recorded two new tracks, the duet with Lzzy Hale and “With A Little Help From My Friends.” We selected those tracks because they were collaborations that came about as a result of the release of the record originally. “Help From My Friends” was the first creative endeavor that my touring band took on. We’d been playing that song every night for the encore. Basically the challenge for us was to take the Joe Cocker arrangement and really ramp it up into a hard rock version. The fans have responded to that really well and we’ve had tons of requests for a studio version. It was an obvious choice to record that. Same thing with “Nobody’s Fool” with Lzzy Hale. We did some shows with Halestorm and she and I ended up on stage during the encore singing that song together and everyone loved it. People have been saying “Please record it” forever. Those two made the most sense and they came out really special. They really make sense with this record to be the bonus tracks. We had a lot of fun last year putting this together. It was a creative effort and we brought our friend Tammy Vega in to document the sessions while we were recording those two bonus tracks. That’s one of my favorite features on the bonus DVD that comes with it. She hid cameras all over the studio and really captured the real stuff. You really feel like you’re in the studio with us.

Do I understand correctly that artwork helped inspire the way this record turned out?

Yeah. When the original idea came out to do a Deluxe Edition – this was before the original was even pulled off the shelves – we didn’t even think about what the extra stuff would be. We got into all of that last year when we got the masters back. A friend of mine gave me what ultimately became the album cover – a collage of illustrations of the members of my new band. I remember looking at it on the bus and thinking it should be the cover of the Deluxe Edition. It includes how life has grown for us. David Calcano is the artist who did the collage. I called him up, told him I loved it and wanted to use it for the cover and asked him to expand on it. I asked him if he could do a booklet and do illustrations for the whole thing. It ended up turning into this six-panel thing with two discs, all this artwork, and a 20-page booklet. That, combined with the bonus DVD and the remastered original tracks with the two bonus tracks, we spent the better part of last year putting this all together to make sure it was really cool. So far the fans really seem to be diggin’ it.

I’m a big fan of album artwork. Sometimes an album cover can be just as iconic as the music.

Yeah, and I really like this package better than the original. The original one was cool. They put it out on vinyl but there’s just something about David’s artwork and the extras that came about because of the record. There’s a theme to it. I like to do things with a purpose and this all kinda came together very naturally. It just feels good to have the album back out.

I couldn’t imagine having worked on a record for that long, finally releasing it and hitting the road – and then having the album disappear. That’s a lot of exposure to new fans with nothing available for them to take home.

When we first started touring in 2013 it was like starting over. Anyone that leaves a band that’s had a lot of success and is trying to start something new maybe is not quiet ready for reality when they start. You think it’s going to be easier. I realized very quickly that I was completely starting over. I loved the band. We instantly had a chemistry. Everyone was so committed. We started off in very small bars. We weren’t drawing really well in the beginning but it’s just grown. Even when the record got pulled and we were questioning if we should even be touring, people wanted to see the band. The band was becoming more popular on the tour trail and we were getting better gigs. Now we’re headlining or direct support on all the major festivals and fairs. We’re still playing smaller rooms but we’re selling them out now. It might seem unconventional or over the top to be touring as long as we have, but we’ve been building something new and watching it grow each year. It never made sense to pull it off the road. I’m glad we didn’t. Every year the excitement is to another level. In this day and age there’s a lot of noise to try and yell through and say, “Hey, check us out!” It takes longer to build things. People are overstimulated with a million different things. This band loves touring together.

Is your solo career more rewarding than a band situation?

Well, my solo career has turned into a band situation. My solo career started as not even being a record or an aspiration for a career. It started with Savannah and I in our studio recording songs. We had both just come out of really bad publishing deals. It really started as a healing process. We were going to record music and write just for the sake of doing it. We did that over a period of nine or 10 years and eventually started realizing we had a record. At that point the record had been made with our friends here, session players. There was no band. We didn’t even play that stuff for anybody. The only people that heard it were the players that played on it, Savannah, myself and the other producer Chuck Turner. I didn’t play it for my manager until years into it. I was still touring with Cinderella at the time. When we thought we had a record and found a label to release it, I was like, “Woah, now I’ve got to put together a band.” I’d been used to the bubble of Cinderella and thought it was going to take forever to find the right people – not just musically, but find people who would be committed and would stick it out. People you’d ride on a bus with and share common values with. There’s a lot that goes into it. The people who walked into the first audition on the first night are the same people, for the most part, that are still in the band now. It very quickly became a band because it was just a great chemistry in the beginning. Most of our marketing assets are band pictures. The hashtag #keiferband that I use on all my posts and is on our backdrop – it’s kinda became the name of the band – was started by a fan. The fans recognized early on. They look on stage and recognized this chemistry. It’s never “Oh Tom, you were amazing tonight!” It’s “You’re band was amazing!” I like that. I like being in the gang. I don’t want to be a solo person. Everyone that rides on that bus will tell you I like being in a band. It’s just more fun.

Is the full band involved in songwriting for the new album?

Seeds of songs are being gathered along the way. Like I said earlier, those will float around in your head for a long time before you actually sit down and write them. As much as we’ve been touring I haven’t really sat down to “officially” write. The bonus tracks we did are the first songs we recorded with the touring band. It went amazingly well and everyone contributed. That was the easiest recording sessions I’ve ever done. The follow-up record will be recorded with the full band that we have now. We’re planning on touring behind the Deluxe release into next summer. We have our sights set on getting into the studio and sorting through song ideas at the end of next year.

I read your list of “10 Records That Changed My Life.” I loved your choices – one of my all-time favorites is on your list: Foot Loose And Fancy Free. Unbelievable record by Rod Stewart. I was so glad to see you mention “You’re Insane” – man, what a killer tune.

The things that really leave an impression on you more than anything else is stuff from when you were in high school. That record was huge when I was in middle/high school. Who the fuck doesn’t love Rod Stewart? The lyrics. The voice. The guy can do no wrong. Always will be one of my favorites. Just a true songwriter. The guy can paint a picture with lyrics. It’s just amazing. And the pipes – I don’t think there’s a singer on the planet that wouldn’t say “I would love to have Rod Stewart’s pipes.” That’s a great album for sure.

The Way Life Goes – Deluxe Edition is available now.

Keep up with all things Tom and #keiferband at TomKeifer.com.

The Way Life Goes – Deluxe Edition track listing:

Disc 1: CD

01. Solid Ground
02. A Different Light
03. It’s Not Enough
04. Cold Day In Hell
05. Thick And Thin
06. Ask Me Yesterday
07. Fool’s Paradise
08. The Flower Song
09. Mood Elevator
10. Welcome To My Mind
11. You Showed Me
12. Ain’t That A Bitch
13. The Way Life Goes
14. Babylon

Bonus Tracks

15. Nobody’s Fool (feat. Lzzy Hale)
16. With A Little Help From My Friends
17. Nobody’s Fool (Piano Version)

Disc 2: DVD

Chapter 1) The Way Life’s Goin’ (Documentary)
Chapter 2) Solid Ground (Music video)
Chapter 3) The Flower Song (Music video)
Chapter 4) It’s Not Enough (Music video)
Chapter 5) It’s Not Enough (Lyric video)
Chapter 6) Album Promo
Chapter 7) Cathouse Live
Chapter 8) Count Vamp’d Las Vegas
Chapter 9) Farm Rock Chicago

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Music Interviews

Exclusive Interview: Alecia ‘Mixi’ Demner From Stitched Up Heart

Mixi talks about Stitched Up Heart’s live show, connecting with fans and her passion for inspiring others to make the world a better place.

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Stitched Up Heart forged their path in sheer passion and earned their keep in physicality and volume. The band’s days of self-booked national van tours and frontwoman Alecia “Mixi” Demner being a Revolver “Hottest Chicks” mainstay was merely the beginning. Driven by a new level of sonic confidence and topped with Mixi’s soaring vocal verve, 2016’s Never Alone is the sound of a band unapologetically coming into its own.

Rock Confidential caught up with Mixi to talk about Stitched Up Heart’s live show, connecting with fans and her passion for inspiring others to make the world a better place.

I saw Stitched Up Heart on a headline gig last year and the first thing I quickly noticed is the connection you have with the audience.

If somebody has seen our show multiple times and they know all the songs, they’ll usually just rock out. But, when people watch the show for the first time they’re usually just observing everything and taking it all in. We do try to connect as much as possible on and off the stage with people. That really resonates and people get the message. If we’re watching a band we like, we notice if they notice us. Chris (Kael, bass) from Five Finger Death Punch pointed at me one time and I was like, “I love you!” I get excited over stuff like that. Why wouldn’t anybody else? I like to try, when I can, to make eye contact and make that connection. We all really try to connect with people and that’s what it’s all about. Thanks to social media we think we’re connecting with people, but we’re not really. You can see people walking down the sidewalk staring down at their phones. They’re not paying attention to other people. At a rock show the music connects you to other people, so why not get closer to the people that listen to your music? Make a memorable moment for somebody.

Has anyone ever taken that out of context and moved into creeper status?

Everyone for the most part has stayed pretty respectful. Most of the time they’re just really excited. I’ll crowd surf and stuff and I don’t get people grabbing my tushy or anything like that. People are more worried that I’m going to get hurt and I’m more worried I’m going to hurt somebody. It took me a while to do that more and now I can’t stop. If the show is packed then I’m going to be jumping on top of people. Sometimes people just want to hang out but we’re doing our job. They respect that we’re working and we have merch to do, we have to load our gear. We’re at work when we’re at the venue. It’s not like we’re just lollygagging around. It’s like visiting your friend that works at Hard Rock Cafe. You can’t just sit there and talk to them the whole time.

What’s your favorite part about being on the road?

It’s really cool to see more people at the shows. We’ve been doing this on our own for a long time. We were touring DIY from 2010 until 2014 when we signed with a label. We hired a merch person. We used to do all the merch ourselves when we first started but that’s because nobody was coming to the shows! It was easy. We played Lancaster, Pennsylvania without a merch person and we about lost our minds. We didn’t know how to do it anymore. We had some friends help us out. We realized from that alone that it’s nice to see a full house and not always having to play hole in the wall dive bars. Even if it’s a small venue it’s nice to see it packed. Another thing that’s really cool is the music is starting to reach people and we’re getting to meet more people at the shows.

What is the most challenging part of touring?

The hardest thing is just those long drives. Taking pee breaks at gas stations and brushing your teeth at a Love’s Travel Stop. I think guys have an easier time being on the road and just being dirty boys. Girls … me and the merch girl are like “We are getting a motel room tonight. We are not sleeping in a Walmart parking lot!” You need some sanity and a nice, safe place. Especially when you’re on the road for seven months.

So much has changed for the band since signing with a label. How do you look back on the past couple of years?

It’s very surreal. It’s like “you can’t see the forest for the trees.” You just can’t see everything. You can’t hear everything. It’s hard to grasp being on the radio, or being nominated at an awards show. It’s hard to put into words. I’m sure I’ll have something to say about it on the next record!

The look of the band has definitely evolved over the years. Was that a conscious decision on your part?

There were some people at the label that steered me away from certain things. I was a little lost and needed some guidance. I change my hair color like the seasons. Having blonde hair for two years has been crazy. It’s been blue, purple, black. I used to think, “Ok, we’re playing a new tour. Let’s do something completely different.” I have learned to stay consistent and stick with something we all like. When I need a hair color fix – I like to dye it a lot – I’ll just put fills in when I get home and get my blue and pink and it washes out in a couple of days and I’m fine. I’ve got to hang out with myself 24/7 and I get bored with myself! I’ve got to do something new so I’ll just get a new tattoo or a new hobby or something.

Sometimes your voice reminds me of a heavy metal Gwen Stefani.

I love it! I love Gwen. She’s a hero.

Who are some of the artists that influenced you early on and are there others you’ve grown to appreciate more over time?

It’s really weird. My dad listens to the Beatles. My mom listens to country. I found heavy music in middle school. I found my neighbor’s dad’s CD collection and he had Nine Inch Nails, Metallica, Megadeth, Pantera and stuff like that. I fell in love with that stuff. I’d take a CD from his house and listen to it all the time and was curious about that kind of music. Another weird thing is when I started playing guitar when I was 15, I started playing jazzy kind of stuff. So I started singing a jazzy vocal over it. It wasn’t really the style of music I wanted to do. I had other bands – there were two punk bands I tried to do. It wasn’t until Stitched Up Heart that I knew what direction I wanted to take. This is what I want to do. This is the music I would listen to. Heavy music with a unique vocal style, kinda poppy melodies with a little screaming. It evolves and the music in this band is evolving. It’s more “grown up,” as I like to say.

During the show you mentioned Kitten Rescue. Would you care to tell me about it?

Absolutely. When we were writing Never Alone I started to find myself internally. I realized that I wasn’t all that great of a person. What was I doing to help people? I felt selfish. Everything was take, take, take. There are things you can do to help the world so I opened my eyes and started to give back. I started fostering little baby kittens. KittenRescue.org is based out of Los Angeles and they specialize in orphaned kittens that need foster homes and need to be bottle fed. I fell in love with this organization and last year we raised thousands of dollars by donating a percentage of merch sales. It’s been cool to have people at shows be inspired to help other animals. Inspire other people to want to do something to help and give back. We’d love for other people to take note and do something they believe in that can help the world and make it a better place.

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Music Interviews

Exclusive Interview: Boondox

Fourteen tracks of southern rock and rap mixed a splash of wicked, the album sees the Georgia native collaborating with everyone from hip-hop giant Bubba Sparxxx to Struggle Jennings, the grandson of country superstar Waylon Jennings.

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Boondox just released his fifth studio album, The Murder. Fourteen tracks of southern rock and rap mixed a splash of wicked, the album sees the Georgia native collaborating with everyone from hip-hop giant Bubba Sparxxx to Struggle Jennings, the grandson of country superstar Waylon Jennings.

In this exclusive audio premiere, Boondox drops an audio confession in the song “Free Soul.”

Rock Confidential also spent a few minutes with Boondox to talk about the new songs on The Murder, working with new label Majik Ninja Entertainment, and his diverse – but loyal – fans.

Thank you for taking time out for this! How are things going?

Thank you for the time and opportunity to do this interview. Things are going very well. I’m staying busy and my new record The Murder was recently released, so I’m feeling great.

Please tell me about how much time you spent putting this record together, the guests involved and your expectations for The Murder.

From start to finish, I’d say it took around four months. I had to take breaks for touring and a few other things that came up. I have everyone on the Majik Ninja Entertainment (MNE) roster featured on a track called “Outlined In Chalk.” I also have Bubba Sparxxx and Struggle from Slumerican on a track called “Born In Fire.” Jamie Madrox from Twiztid is featured on a few different tracks. I wanted to work with him on making this record and his input was invaluable. We bounced ideas back and forth and he put a lot of time into the record. It was extremely humbling to have someone who was such a major influence on me to invest so much time. As far as expectations, my main expectation or my main hope, is that everyone who listens to the record will find something on it that they like. I hope for the sake of everyone involved in the making of it that it does really well.

When you first started working on The Murder, did you approach songwriting differently than previous records? How would you explain your writing process?

It was a little different. I usually write a song and then record it, and then I’ll write another song and then record that one, et cetera. On this record I did most of the writing before anything was actually recorded. It was good in a way to actually sit with a beat and listen to it many many times before I actually put pen to paper. In other ways I feel like I work very well under pressure, so knocking out writing the day before I hit the studio adds that little bit of pressure that I like to have. I’m now getting back into the habit of writing just to write. Even if there’s no beat or song that needs to be recorded. I got away from that for a little while. Call it laziness, or whatever you want to call it, but I’d usually just write when it was time to make songs. I’ve gotten out of that habit now because I’m feeling much more inspired than I had been.

What’s a typical day in the studio like for you?

A typical day will usually start with jumping right in the booth and recording verses. I’ll do those and then we’ll do a quick mix and then listen a few times. I’ll see what I like and don’t like, and then make whatever changes, then hop back in the booth and correct anything. Getting back on the previous question about writing, I usually write most of my hooks in the studio after I record my verses. There’s no real reasoning behind this, it’s just a habit that I’ve adopted and stuck with.

We’re premiering the audio for “Free Soul.” What can you tell us about that track?

This song is one of my favorites that I’ve ever done. It’s really deep on a personal level. I’m constantly struggling with if I’m living my life the right way, and what really is the “right way” to live. Is there a higher power that’s going to judge me when I expire, am I living my life the way I want to live it or am I just living the way I was programmed to live? Should I even care, or should I just ride life out and not even dwell on the meaning of it and what comes after? Things like that.

What inspires you as an artist?

I’m inspired by other music. I’m inspired by things that happen to me on a daily basis and things that have happened in the past. I’m inspired by the lives of others. I find inspiration in almost everything. Sometimes life will throw me such a curveball that I can’t find any inspiration at all, and then I’ll eventually look back on those situations and find inspiration in that.

I hear so much in your music but at the same time it sounds completely unique. Who are some of your influences? Was there a particular artist that had more of an impact?

I can’t say that any one artist in particular has influenced me. I listen to so many different genres of music and to so many different artists that it’d be hard to single anyone out. As mentioned earlier, Twiztid was a big influence, Three Six Mafia, Outkast, Johnny Cash, Jim Croce, Iron Maiden. There’s so many. I think that’s what has shaped my music though. I’d like to think I have a lot of diversity in my sound and lyrics.

In a day and time where the rules change so much in the music business, you have managed to secure a loyal fan base. What about yourself do you think is most appealing to your fans?

It all starts with the Juggalos, which are my main base, and them being the most loyal base in the music business in my opinion. That being said, they won’t just blindly support everything that you do. If you’re not giving them something that they can feel then they will let you know it. I think that my diversity has a lot to do with my appeal, and I think that I relate to a group of people out there that came up similar to myself and have experienced some of the same things. I also have a number of people who don’t consider themselves to be “Juggalos,” and who aren’t really fans of the overall genre of music that I’m most active in. I believe that some of those individuals are drawn in by that same diversity. Many people dig that I mix in a country feel with a darker tone and that is a sound that it truly unique. If you break it all down, there isn’t really anyone doing exactly what I’m doing and that appeals to many people.

Please tell me about the relationship you have with your new label, Majik Ninja Entertainment.

Well, I had prior working relationships with some of the people that are with MNE. Of course Twiztid and Blaze. I also worked with George, who is our manager and oversees everything at the label. That really got my foot in the door at MNE and they were gracious enough to give me the opportunity to come over and continue to do what I love on a large scale. I couldn’t be happier with being a part of MNE. Everyone and everything is extremely professional, and attention to detail is a large part of what makes MNE continue to grow. Everyone over there is genuinely excited about the music that is put out. Everyone listens to the music that the artists puts out and really gets behind it. I’m in constant contact with pretty much every individual working over there. We will call, text, and email back and forth about almost every detail from the music, to promo, merchandise designs, wardrobe for shows, almost everything. That’s very important to me personally. I don’t ever feel hung out to dry on anything and I know that if I have any issues or ideas, that they will be listened to and considered. It truly is a family over there, and everyone is treated equally and interacts with one another.

How have you seen the reception to your music change over the years?

Well, when I first started there were many who didn’t dig the country twist that I was throwing into the mix. There was a lot of hate based on that fact alone. Most came around that weren’t on board to begin with. I mean there are still folks out there that won’t even give me a chance based on my southern roots and bringing those into the genre, but for the most part that’s not really a big issue anymore. I believe that with every new record release that I win more people over. I also believe that I may lose a few people here and there because some people can’t handle change and evolution. They will remember a certain sound that brought them into liking your music and if you stray too far from that they will drop you like a bad habit. But you can’t really blame anyone for liking what they like. They’ll always have what brought them to you in the first place to look back on and hopefully will give you another shot with future releases to capture that again. If not, it is what it is and such is life. I just appreciate anyone who’s ever supported or gave my music a genuine shot. If it’s not for you after checking it out, then I say thank you and hopefully one day you’ll hear something that I put out you can feel.

What are your thoughts on how new music is promoted now?

In today’s society where everyone and everything is connected, you can’t really be mad at today’s promotion methods. You can reach millions of people with a few clicks, and that’s not a bad thing. I think in some ways it loses the personal connection that being handed a flyer or a demo had in the past, but there are still people out there doing that, so really you can have it both ways. Everyone has the ability to promote now. There are people promoting themselves and don’t even do anything. With social media, you’re promoting yourself every time you post something. Some people make a living just posting a thought, or a video of themselves doing normal everyday things. Life is one big promo these days. In that way I think there’s an oversaturation of promotion which leads to very short attention spans. But if you can catch on with people then it can be a very good thing. Promotion or lack there of is definitely not an excuse these days of why you may not be successful. You just have to do it correctly.

What do you hope people take away from your music and videos?

I hope that they take away some sense of entertainment and also some sense of being able to relate. I hope that in some way I can stick with them so that they will come back and give me an opportunity again in the future. I hope that I’m able to help people or even heal people through my music.

What was the first album you bought with your own money growing up?

Iron Maiden, The Number Of The Beast, at a yard sale. I saw the album art and was sold from that second on. I’d never even heard their music, I just saw Eddie on the cover with the little devil and had to give the lady my $1.75 to own it.

Please tell me about your upcoming tour and what fans can expect from Boondox live.

I’ll be touring nationwide on “The Murder Tour” with label mates Blaze Ya Dead Homie and Lex “The Hex” Master. I’m really looking forward to this one because I haven’t done a headlining tour in a few years. As far as what to expect, they can expect to see me perform songs off the new record, old favorites, and songs from past releases that I’ve never done live. They can expect high energy, and hopefully to have a really good time. We are also doing a meet and greet before every show, so those participating will be able to expect some one on one time with me to ask me anything and sign anything that they want.

Thank you again! What would you like to say to wrap up?

Thank you again for the opportunity, and thank you to all of the Juggalos and to anyone who has supported me or ever given my music a chance, I greatly appreciate it. Please if you haven’t already, go pick up my new release The Murder, and hopefully I’ll see you at a show on the upcoming tour.

Catch Boondox live – the shows start in Knoxville, TN, on April 6 and run more than a month, hitting both coasts and closing in Michigan on May 21.

The Murder track listing:

01. Welcome
02. Peck Your Eyes Out
03. Throw Away
04. Bloodletting
05. Feed The Machine
06. Free Soul
07. Purge ft. Twiztid
08. Cannibalistic Prodigal Misfit
09. Born In Fire ft. Jamie Madrox, Bubba Sparxxx and Struggle
10. I’m A Mess
11. Outlined In Chalk ft. Twiztid, Blaze, G-Mo Skee, Lex The Hex Master and Young Wicked
12. Sittin’ On The Porch
13. They Don’t Understand
14. Terminus ft. Jamie Madrox

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Exclusive Interview: Moscow

Rock Confidential caught up with Moscow to talk about music, her showcase at the Whisky A Go Go, and how her sexuality drives her primal rock star attitude.

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Russian rock goddess Moscow is on a mission to take over the world of rock. With musical influences ranging from Motley Crue to Asking Alexandria, Moscow strongly believes that it’s time to reflect on the legacy of rock icons and integrate a post-hardcore twist to their sound.

From the age of 15, Moscow was a part of the Russian music scene. “In Russia, the market is dominated by cheap pop music. It is next to impossible for a rock/metal band to break out. I hung out with some really dedicated and talented people, they taught me not to give up,” Moscow remembers.

Quickly making a name for herself on the Sunset Strip with her go-getter attitude, she enlisted the help of Shawn McGhee of Las Vegas’s The Hideout Recording Studio and Brian Steele-Medina to produce her first single, “Queen Of Sin.”

Rock Confidential had a chance to catch up with Moscow to talk about new music, her recent showcase at the legendary Whisky A Go Go, and how embracing her sexuality drives her primal rock star attitude.

Thank you for taking time out for this Moscow! How are things going?

It’s a pleasure. I like to keep it busy on a daily basis, otherwise my demons come out and you don’t want to see that.

Please tell me about your recent showcase at the Whisky A Go Go.

It went great. I had a pleasure of having my first showcase at the infamous Whisky A Go Go, to perform on the same stage my favorite bands once did, everyone from Motley Crue to Eminem to Linkin Park, is an honor. I loved every minute of it, and damn – give me the stage! I already miss it.

A lot of people have the dream to be a performer or a rock star, but never see it realized. What did you do differently to make it happen?

You can be the greatest musician, the fastest shredder, an outstanding singer, but you can’t teach how to be a rockstar. I truly believe it’s something we’re born with, like charisma. I never try to perform or to impress. I know very clearly who I am, and I’m not afraid to show it. To know yourself is the first step in pursuing this kind of career. Well, any career.

Has it been easy to stay motivated as you’ve grown your music career?

Of course, I wake up everyday with new ideas and goals. Sky’s the limit, they say. I’m lucky to live my dream, to have found a path that makes me happier day after day. People who are ‘satisfied’ with what they have disgust me the most. Motivation and the will to grow, to perfect yourself and evolve, is the most beautiful thing.

What inspires you as an artist? Who were some of your favorite bands/artists growing up?

Life, human minds, emotions. Growing up, my musical taste was very vast – from Eminem to musical theatre to Gorillaz. Motley Crue is one of my favorite bands to this day. Thanks to them I realized I was going to be a rockstar. While every girl wanted to be Pamela Anderson, I wanted to be Tommy Lee.

Women in music – especially hard rock and metal – are sometimes judged before they’re even heard because of their sexiness or how they choose to present themselves visually. How important is sex and sex appeal to your overall vision as an artist?

Oh God, sex is me. That is a very big part of me as a person and of course it’s gonna show in my appearance. Unlike other female rock singers, I have no problem with people associating me with this primal drive. Bring it on. Can I sing as well? Yes. Can I scream and growl? Yes. It’s Sex, Drugs And Rock ‘N Roll, why take sex away from it? As I said earlier, staying true to yourself is an important thing, so if that’s a part of me, I’m not gonna hide it.

Russia, France, and England to New York and Los Angeles – you’ve called them all home. Are you still on a journey or have you found what you’ve looking for in LA?

Los Angeles is the place where my heart beats. From the homeless on the streets of Hollywood to the night lights of Beverly Hills to the food trucks of Santa Monica – I call it my city.

You’ve been trained in musical theater. How does that influence your overall presentation as an artist?

I love musical theatre to this day. Every time I’m in New York, Broadway is a must. Performing was always my thing – whether it’s acting, singing or dancing. I’m grateful I have an education backing me up in all those fields. As a musician, you have to know how to deliver your material, so acting is a part of it as well. Further down the road, I’m planning on writing a musical one day, so who knows, maybe you’ll see me on Broadway billboards.

How long did it take to capture the sound you wanted while in the studio?

We’ve written and recorded three songs in a ridiculously short time – it took us less than a week. I work fast, and I love when people are on the same speed as me. Shawn and Brian killed it in the studio, and I can’t wait to get back there writing more material.

Would you consider the “Queen Of Sin” video the perfect visual representation of Moscow? How involved were you in the production of the clip?

Anything that has my name under it, I love to be fully involved. I work fast, as you know. Shooting a music video was not an exception. I insisted on shooting it at the Whisky A Go Go. It means a lot for me to have my debut clip shot at the iconic place that I was reading about and dreaming of as a kid.

When will we hear more music from you?

We’re working on a new lyric video for another single now. Also, an EP will be dropping soon, so stay tuned!

What are your thoughts on how new music is promoted now?

Unfortunately or not, we live in the age of social media. Myself, I am not a big fan of it. I go to concerts to watch a live show and share energy with the band. Music is magic. I don’t want to stay the whole time staring at my phone, live broadcasting or anything else. With the advent of social media and internet, the music business changed colossally. But hey, let’s take advantage of what we have and make it work.

What has been the most exciting part about your career so far?

It’s a hard one. When my first single dropped, when I released my first music video, when I played my first showcase. People around me made a bigger deal out of it than I ever did. I’m gonna be doing it for the rest of my life, so I don’t get as pumped. Don’t get me wrong, I absolutely love every single minute of it, I just don’t get overly excited about stuff. There is always more to come.

What do you hope people take away from your music?

There’s a woman. A woman who can rock. It’s time to erase the boundaries between hard rock and mainstream music, between glamour and underground, between sex and talent.

Please be sure to visit MoscowOfficial.com for all the latest news, music and merch. Don’t forget to LIKE her on Facebook and follow her on Instagram. Here’s a few reasons why:

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Moonshine Bandits Talk ‘Baptized In Bourbon,’ Announce New Tour Dates

Moonshine Bandits talk about the new songs and how personal transitions and responsibilities have influenced the next chapter in their musical history.

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Backwoods bravado, patriot’s pride, country soul, keg-thumping beats — these are the qualities that Moonshine Bandits have championed since they began burning up the California club circuit back in 2003.

Their new album, Baptized In Bourbon, forges a new depth that encourages reflection, even hints of doubt. None of this compromises the defiant pride that’s always threaded through the songs of Bird and Tex, aka Moonshine Bandits.

This is the music that Moonshine Bandits will take on the road later this year. A confirmed list of new tour dates follows below. Maybe it’s a bit of a risk to mix the sacred and profane, the rowdy and the introspective, on record and then onstage. But the payoff here is twofold: Their music demands attention from first note to last. And because they enjoy a strong mutual trust with their fans, honesty is essential to that bond.

Rock Confidential caught up with Moonshine Bandits to talk about the new songs and how personal transitions and responsibilities have influenced the next chapter in their musical history. Boasting a killer lineup of guest artists, Baptized In Bourbon will be out March 3 via Average Joes Entertainment.

You’ve previously described your music as “hell raising music,” but on Baptized In Bourbon you mix the rowdy with the righteous. It’s not necessarily a change in direction, but more depth to Moonshine Bandits than we’ve heard before. Can you elaborate on the themes that make up the new album?

The title, Baptized In Bourbon started as a vivid dream in the middle of the night that Tex had. When we stepped in the studio and started writing, some of the song topics seemed to follow along the theme of that title. We’ve always believed in God and thanked Him for the life he has blessed us with, but is our lifestyle and our way of living acceptable to God? I feel this album is where we became true artists and not just doing songs about “bonfires and moonshine” over and over.

How has the ongoing battle between good and bad influenced your songwriting?

It has helped us become better songwriters. Our song topics are real life situations that we’ve experienced or stories that inspire us. God put us in the driver’s seat, but are we driving too fast? God has blessed us with a successful career that only a small percentage of musicians get to do what we do. We have been in every state in America. We are always thankful, but often wonder if our life on the road acceptable. It’s a fast life, it’s a lot of time spent away from family and friends, and sometimes it’s hard to come back from 30 days on the road and jump back into a normal everyday life. This is probably our most creative album. It’s definitely a concept album that has a start to finish, or maybe it doesn’t finish, maybe the ending hasn’t played out yet.

To write Baptized In Bourbon you traveled to a cabin studio in a forest in Washington. Why was that the ideal situation for writing new music?

With our road schedule, it’s very hard to focus on songwriting in a bus or sprinter or airplane. However, we always find things on the road that inspire us or might lead to a song, so we will write it down in our cell phone for later use. It might just be a word or two that will lead to a title, maybe a chorus, or maybe an entire song. You never know, we are firm believers that everything happens for a reason. We like to shut off the outside world for our songwriting and recording phase. The Farm Studio is located in the middle of nowhere, GPS doesn’t even work. It’s surrounded by old farm equipment, tall pine trees, coyotes, and beautiful sunsets. We bought some blowup mattresses from Walmart, then stocked up on Jack Daniels, tobacco, food, beer, and locked the doors and camped out in the Studio. We literally slept 20 feet from the recording booth. Phones were rarely checked and the reception was spotty due to our location. We did take breaks in the evening to bbq and listen to what we were creating. It was an incredible setting. We like to do the songwriting and recording simultaneously to catch a better studio vibe. We really wanted to nail the Moonshine Bandits signature sound. We are from the West Coast, and we wanted the world to hear a sound that originated in the Wild West on this record. Our production team, Burn County, are also West Coast based. They have been with us from the early stages of our career. We have all grown together. This album is the signature Moonshine Bandits sound. It’s not country rap, it’s not hick-hop, it’s the Moonshine Bandits sound. We labeled it as “Blu-core” Music. It’s a West Coast sound for blue collar people that have a rebel spirit.

How has the balance of being entertainers vs. being songwriters changed over the years?

We have always been born entertainers, stage performing has always come natural to us. We have performed in front of 10 people and we have performed in front of 10,000 people. Doesn’t matter the crowd size, we will still leave it all on the stage. We feel that if you are going to spend your hard earned cash to come see us, you deserve a damn good “show” that has energy. Creativity and our sound has evolved over the years. Finding our true sound was always a challenge to us, but it also became a time period of evolving into what we wanted our sound to be. Baptized In Bourbon is the project we feel our songwriting has caught up to our performing skill level and we are not just entertainers anymore. We are true artists.

As customary with any Moonshine Bandits release, you have a killer lineup of special guests. Tell me about working with David Allan Coe and shooting the video for “Take This Job And Shove It” at Shawshank.

The thought of working with Coe started as just a dream for us. He’s one of our idols. We didn’t know what to think or expect when we put together the concept of the song to pitch to him. Coe originally wrote the tune so we didn’t know if he was going to tell us to go to hell or if he was gonna be pissed or what. When we learned he and his wife both loved the concept, we were honored. There was nothing better than getting the blessing of a true country legend. We wrapped the song up with him and then proceeded to scheduling the filming of the music video. Our manager Ken Madson, came up with the idea of filming the video at the penitentiary aka Shawshank where DAC served time. The song “Take This Job” has a theme of being empowered and liberated. Taking Coe as a free man, back to a place where he was incarcerated, and capturing it all on film is pretty incredible. We sat in Coe’s hotel room the night before filming the video and shared many stories of the road and recording. Coe told us about his days touring with BB King and how every time he was told he couldn’t do something, he still did it. We shared similarities in our career when we were criticized for crossing music genres, some venues that wouldn’t let us play, and how our middle finger was always held high when we came across these obstacles and we still did it our way. Coe told us about how he used to rap in his prison cell, but he was so young that nobody knew to call it rapping. We also performed “Take This Job” live with DAC on stage to a wild crowd in Ohio. After the show, Coe told us how much he enjoyed our live set. The next day he called both of us and thanked us for everything.

How has the addition of a live drummer changed your shows?

Our live shows are very fast paced, high energy and full throttle. We pride ourselves with giving the crowd a solid show that demands crowd participation. Adding a drummer to our set added even more energy. We are a four-piece band and it has allowed us to create DJ and drummer interactions on stage that are unique and entertaining. With over 1,000 live shows, we have never had one band practice. Part of that is because we don’t want to give a rehearsed performance and look like a bunch of robots on stage. We want things to be organic, interact with the crowd. Plus, we play so many damn shows that we don’t have time to hold rehearsals. What you see is what you get. Shot slamming, beer drinking, hell raisers that will fly a middle finger salute at you as a gesture of love.

You guys have started a new non-profit company called OPC. What can you tell me about it?

We noticed our military was attending our shows early in our career and really relating to our music. We wanted to repay them for defending our freedom, but also for supporting our music. We started mailing jerky, Copenhagen, and other random stuff to soldiers that were stationed overseas. As our band grew, we really wanted to make a a bigger difference and repay them at a greater scale. With a group of dedicated fans, we formed a legal non-profit organization called Operation Packing Company, Inc. OPC was a vision that became a reality. We send everything from hygiene products to letters written by students in school. We are sending boxes of love to or heroes. We are fortunate to have a solid group of Shiners that are just as passionate as us and willing to donate their time to help OPC send over 400 boxes of supplies annually to our Armed Forces Overseas. OPC is growing rapidly and everyone is welcome to be a part of it, just visit www.operationpackingcompany.org for more info!

The Shiner lifestyle and all that’s involved – what do you hope people take away from your music?

The Shiner lifestyle is all about God-loving blue collar workers that work their asses off to support their families, but enjoy their time off and celebrate life. It’s a lifestyle for all people that believe in their country, and believe in family helping each other out in times of need. Ultimately, it’s about living life full throttle and living for the moment. It’s also a lifestyle that says you can overcome all obstacles. Underdogs can become heroes. Hard work pays off and don’t let anyone stand in your way. It’s OK to be different. It’s OK to create your own lane. We hope we convey this message through our songs and that others relate to the way we live and what we’ve overcome.

As your audience grows do you feel an added responsibility when it comes to the direction of Moonshine Bandits and the Shiner Nation?

Our responsibility is to give the Shiner Nation the highest quality product with our music and our live performance each and every day. Our Shiner Family is the reason we have made it so far, so we can’t let them down and there are thousands of Shiners joining the family daily from all over the world. We have to give it our all and we have to step it up with every thing we put out.

Moonshine Bandits 2017 Tour Dates:

2/17 – Jackson, MS – The Hideaway Club
2/18 – Perkinston, MS @ Red Creek Off Road
3/02 – Salt Lake City, UT @ The Westerner
3/04 – Colorado Springs, CO @ Cowboys
3/07 – Ceres, CA @ Walmart
3/08 – Sacramento, CA @ Dimple Records
3/11 – Tyler, TX @ Oil Palace
3/12 – Daytona Beach, FL @ Main Street Station
3/13 – Daytona Beach, FL @ Main Street Station
3/24 – Dover, DE @ Cowboy up Saloon
3/25 – Columbus, OH @ Alrosa Villa
3/29 – Greenville, SC @ Harley Davidson
3/30 – Louisville, KY @ Trixie’s
3/31 – Roanoke, VA @ The Q
4/01 – Semora, NC @ Bar 119
4/07 – Charlotte, NC @ Uptown Live
4/08 – Laurinburg, NC @ Outback ATV/MX Park
4/14 – Las Vegas, NV @ Adrenaline
4/15 – Scottsdale, AZ @ Livewire
4/16 – Golden Valley, AZ @ Castle Rock Events Center
5/19 – Wapakoneta, OH @ Auglaize County Fair
6/10 – Merced, CA @ Merced County Fair
7/15 – Dugspur, VA @ Kanawaha Valley Arena Resort
7/22 – Trinidad, CA @ Highway 101 Run and Camp Out
8/05 – Eureka, CA @ Shinerfest Revival
8/12 – Brownfield, TX @ 4B Bike And Music Fest
9/02 – Litchfield, MN @ ABATE Of Minnesota State Rally
9/15 – Hurricane Mills, TN @ Nashville Bike Week

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